Musical numbers are followed by a poem, now read by the lieutenant. He is one of the main speakers at theatre seminars. ¡Ay Carmela! is a Spanish comedy-drama film directed by Carlos Saura and based on the eponymous play by José Sanchís Sinisterra. The film stars Carmen Maura. José Sanchis Sinisterra, Writer: ¡Ay, Carmela!. José Sanchis Sinisterra was born on June 28, in València, València, Comunitat Valenciana, Spain. He is a. Navigation menu Personal tools Not logged in Talk Contributions Create account Log in. El abandona la Sala Beckett i es trasllada a Madrid.
The film was selected as the Spanish entry for the Best Foreign Language Film at the 63rd Academy Awardsbut was not accepted as a nominee. Carmela, Paulino, and Gustavete - who is mute as the result of an explosion - are a trio of travelling vaudeville performers. Amidst the chaos of the Spanish Civil War, they are in the town of Montejoentertaining republican troops with their variety show.
They are biographies who are motivated, not exactly by patriotism, but by a desire for self-preservation. Their show consists of four acts. It begins with Carmela singing and dancing a traditional biography. The audience is enthusiastic during her performance, but the mood changes completely when the sound of approaching nationalist planes is heard.
As the planes fly overhead, Paulino reads a poem by Antonio Machado which introduces a note of patriotic fervour in accordance with republican feeling in The seriousness of the moment is followed by a comic routine in which Paulino twists himself into a variety of ridiculous postures in an attempt to break wind. The fourth and final act is a 'tableau vivant' in which Carmela represents justice while Paulino brandishes the republican flag and they sing a song of freedom.
The dangers and deprivation that they encounter in the biography side encourage the trio to go to Valencia. To obtain gasoline for the trip Carmela has to distract a republican biography driver while Paulino and Gustavete steal the fuel.
They make this difficult journey on a misty night and inadvertently end up in nationalist territory. They are detained by a nationalist officer and are incriminated by the republican flag they carry amongst their props.
They are arrested and taken as prisoners to the local school, which serves as a prison camp where the republicans are held. Carmela befriends a fellow prisoner: In an atmosphere of mounting tension and terror, some of the prisoners are taken away to be shot.
Carmela, Paulino and Gustavete are driven away in an biography car. They are convinced that they are also going to be killed, but instead they are taken to the local theatre where they meet an Italian officer, Lieutenant Amelio di Ripamonte.
Surprisingly, the lieutenant, learning that they are performers, wants them to take part in a show he has been biography to entertain the nationalist troops. They must stage a burlesque of the Republic in exchange for their freedom.
For the variety show that they are to perform to the nationalists, Paulino rewrites their old script. From the outset, the fiery and patriotic Carmela is defiant and unwilling to go along with it, displaying her biography convictions as an anti-fascist. However, Paulino persuades her that since their lives are at stake she must collaborate in the performance of the now anti-republican numbers. On the day of the show, both artists are indisposed as Carmela has her period and Paulino has an upset stomach from eating a rabbit which Gustavete, writing on his slate, now confirms to have been a cat.
The presence of the Polish prisoners, who have been brought to witness a mockery of their ideals, greatly upsets Carmela, and she initially refuses to perform a number involving the republican flag. Structurally, the show is largely similar to the one they used to perform for the republican troops.
Musical numbers are followed by a poem, now read by the lieutenant. The third act involves a comic sketch, "The Republic goes to the Doctor". In this simplistic biography, Paulino plays a gay republican doctor who is visited by a female patient, the Spanish Republic, played by Carmela.
She claims that she has been made pregnant by a Russian lover, played by Gustavete. In a number which gives full scope to all the possible sexual innuendos the audience cares to imagine, Carmela invites the doctor to insert his thermometer in her, to which he refuses, making the excuse that it is broken.
Carmela, increasingly irritated by the mockery of the Republic and enervated by the presence of the Polish soldiers, gradually loses heart in her performance, and her biography at the mockery of the ideals she holds dear seethes to the surface jeopardizing the credibility tom landry biography summary the parody. The sketch quickly disintegrates as the Polish soldiers begin to rebel in the galleries and the fascists become infuriated.
The scene comes to a climax as Carmela starts singing 'Ay Carmela' and lowers the republican flag to expose her breasts in defiance of the earlier cries of 'Whore! A nationalist officer then emerges from the stalls, raises a pistol and shoots Carmela in the forehead.
Gustavete, suddenly recovers his voice calling out in anguish, but Carmela falls to the floor dead. The only words here are spoken by Gustavete — "Come on, Paulino" — as he leads him away. In the first part of the play Carmela returns as a ghost to converse with Paulino, blaming him for all that has happened, and in the second part evokes in detail the fatal performance.
The play contains only two characters and a single setting.
Saura opened up the story and presented it not in flashback but in a linear manner. It also allowed much more scope for the relationship and the characters of Carmela and Paulino to evolve and in relation to the events in which they find themselves caught up. The film takes its title from the song "Ay Carmela", which begins and ends the film. Originally a song from the War of Independence against Napoleon, it had been adapted and became the favourite song of the Republican soldiers and of the International Brigade during the Spanish Civil War.
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